Documentary
Director · Emiliano Ruprah
Prod. Company · Netflix
Prod. Company · Peninsula Films
Color
Aspect Ratio · 1.85 : 1
Camera · Sony venice 2, Canon Rangefinder
Cinematographic Process · 4K (master format)
Selected Awards 🏆
Mejor Fotografía Largometraje Documental Premios Apertura
Reviews
Commercial Director · Hernan ALMAR Prod. Company · 3rd Eye Films
Color
Aspect Ratio · 2.35 : 1
Camera · Alexa Mini, Lomo Round Front + Cooke S2
Commercial Director · Oliver Castro Prod. Company · Disco
Color
Aspect Ratio · 1.85 : 1
Camera · Alexa Mini, Cooke S5
Feature Film
Directed by · Jessica HABIE Country · Canada, Palestine, USA Producer · Baher Agbariya / Eyes Infinite Films
Color
Aspect Ratio · 2.35 : 1
Camera · Canon 5D, Nikon AE Lenses.
Cinematographic Process · 2K (master format)
Reviews
Variety review by Ronnie Scheib.
New York Times review by Jeannette Catsoulis
Hollywood Reporter review by John DeFore
Tv Series
Director · Hernan Almar Production co. · 3rdEye
Aspect Ratio - Various
Camera - 2K, Zeiss Standard Speed
Commercial
Director · Grau Serra Producer · Vincelee Rivera
Color
Aspect Ratio · 2.35 : 1
Camera · Alexa Mini, Cooke Mini S4
Commercial
Director · Francisco Paparella Prod. Company · Landia
Awards 🏆
Gold at Círculo Creativo MX Cannes Lions Bronze
Director · Hernan Almar
Prod. company · Stone
Aspect Ratio - 1.66 : 1
Camera - Arri Mini LF, TLS Mamiya
Commercial
Director · Alvaro Velarde Prod. Company · North Films
Aspect Ratio · 1.85 : 1
Camera · Alexa Mini + Cooke S4
Instalacion
Director · Anna Pla-Narbona
Xavier Cunilleras - Director de Fotografía exteriores
Fergan Chavez - Director de Fotografia Interiores
Tai Sans / Majo Castratt - Producción
Color
Aspect Ratio · 1.85 : 1
Camera · Arri SR3, Zeiss Ultra Prime Lenses
Negative Format · 16 mm / Super 16
Cinematographic Process · Digital Intermediate (2K) (master format) Super 16 (source format)
Commercial
Director · Luciano Ciccarelo Color - Joaquin Castro
VFX - Rodrigo Vivas
Sound - Emmanuel Romero
Production Company - Breath MX
Aspect Ratio · 1.85 : 1
Camera · Alexa Mini LF, Zeiss Supreme Prime
Musicvideo
Director · Pablo Maiola
Producers · Pablo Camacho, Martha Guerrero FUNDACIÓN ORIGEN
Aspect Ratio · 2.35 : 1
Camera · Alexa mini, Lomo Round Front
Video Installation imdb
Instalacion 2 pantallas en edición lineal
Director / Cinematographer · Xavier cunilleras
Prod. Company · Aura Studio, Melisa Maiola
Talento · Monica Del Carmén
Color
Aspect Ratio · 2.85 : 1
Camera · Moviecam Compact, Arriflex 416, Zeiss Ultra Prime / Lomo Anamorphic Lenses
Negative Format · 35mm & Super 16
Cinematographic Process · Digital Intermediate (2K) (master format) Super 16 and 3 perf 35mm (source format)
Commercial
Directors · Pipe Ybarra & Christian Murguia Prod. Company · Motorco
Aspect Ratio - 2.35 : 1
Camera - Alexa Mini, Lomo Round Front + Innovision
Tv Series - Documentary
Directed by · Alvaro Velarde Production · North Films / Canal 11 Producers · Jorge Barrantes / Mauricio Barrantes / Jacobo Becerril / Eric Reid / Marco Rubio
Color
Aspect Ratio · 1.85 : 1
Camera · Alexa Mini, Zeiss Standard Speed
Commercial
Director · Xavier Cunilleras Cinematographer · Emilio Valdes
Agency / Prod. Company · VICE NYC
Shortfilm
Director / Cinematographer · Xavier Cunilleras Produced by Sony Playstation · Shoot! and Shorts International. Producer · Gil Gilbert Cinematographer · Derek Wisehahn Executive producers · Montxo Armendariz, Nicolai iuul, Carter Pilcher
Color
Aspect Ratio · 1.85 : 1
Camera · Red One, Zeiss High Speed
Feature Film
Director / Writer · Anton Terni
Producers · Francisco Laresgoiti, Jordi Mariscal, Antón Terni, Yvette Gurza
Prod. Company · TROPILLA FILMS, LA CASA DE CINE.
Camera - Arriflex SR2, Zeiss High Speed
Negative Format - 16 mm
Cinematographic Process - Digital Intermediate (2K) (master format)
Feature Film Director · Diego QUEMADA-DIEZ Cinematography · Maria Secco Additional Cinematography · Xavier Cunilleras
Color
Aspect Ratio · 2.35 : 1
Camera · Arriflex 416, Zeiss Ultra Prime Lenses
Negative Format · 16 mm / Super 16
Cinematographic Process · Digital Intermediate (2K) (master format) Super 16 (source format)
Selected Awards 🏆
Winner Best Picture / Cinematography Mexico's 56th Ariel Awards '14. Official selection at 2013 Certain Regard, Cannes Film Festival, Winner A Certain Talent prize.
Commercial
Director · Josh Nussbaum Prod. Company · Co.MISSION Content in collaboration with 72andSunny and m ss ng p eces. Executive Producers · Harrison Winter and Stine Moisen.
Color
Aspect Ratio · 1.85 : 1
Camera · Alexa Mini, Cooke Mini S4
Commercial
Production Company · HFilms Producer · Federica Dordoni
Color
Aspect Ratio · 1.85 : 1
Camera · Alexa Mini, Cooke S4
Commercial
Director · Grau Serra Production · FIRMA
Color
Aspect Ratio · 1.85 : 1
Camera · Red Epic, Cooke S4
TV Series
Directed by · Alejandro Pease Productora · Lola Ovando Casa Productora · Pisito Trece Producciones / Canal 11
Color
Aspect Ratio · 1.85 : 1
Camera · Sony FS7, Zeiss Standard Speed
Short Film
Directed by · The Panchits Production · Sake Films
Color
Aspect Ratio · 1.85 : 1
Camera · Nikon D800, Nikon AE lenses
Commercial
Director · Grau SERRA Produccion · PigmentLab / Firma
Color
Aspect Ratio · 1.85 : 1
Camera · Red Epic, Cooke S4
Director · Josh Nussbaum
Prod. Company · Co.MISSION Content in collaboration with 72andSunny and m ss ng p eces.
Executive Producers · Harrison Winter and Stine Moisen.
Director · Grau Serra
Production · FIRMA
Short Film
Director · Carlos GOLO Cast · Cassandra CIangherotti / Jorge Luis Moreno Productor · Isaac Montecillo
Color
Aspect Ratio - 2.35 : 1
Camera - Red One, Zeiss Ultra Prime Lenses
Cinematographic Process - 2K (master format)
